VELVET UNDERGROUND RAR DOWNLOAD

Those four hours of half-inch, four-track tape amount to 42 songs, including versions of a few tunes that donвЂ™t appear on 1969 Velvet Underground Live, among them three takes of вЂThere She Goes Again,вЂ™ two each of вЂVenus In FursвЂ™ and вЂAfter Hours,вЂ™ and one apiece of вЂThe Black AngelвЂ™s Death Song,вЂ™ вЂIвЂ™m Set Free,вЂ™ and вЂSister Ray.вЂ™ There are also additional, as-yet unreleased versions of most of the songs that do make it onto the LP, including no less than four takes of вЂHeroin.вЂ™ According to the notes of one listener who has heard the tapes, most of these 42 unissued tracks fall into the good-to-excellent category some are great and inspired, and there are only a few weak or flawed performances. So I edited it down to the four hours that I ended up keeping.вЂќ It was just too much tape it was half-inch tape, and rather expensive. At the time, our budget was very small I couldnвЂ™t afford to save all the tape. Some of, I improved on I found better performances, so I deleted ones that I had saved from the first two weeks. When they came for another two weeks, I got some more material, and cut out some of the that are on вЂ™69 Live. Abrams retains four hours worth of recordings, and notes, вЂњвЂ™69 Live was only the tapes from the first two weeks. ThereвЂ™s definitely yet more material recorded on the MatrixвЂ™s four-track equipment. were recorded at 15 inches per second, so that makes them very clean.вЂќ As far as Peter Abrams can remember, вЂњthe vocals are on one track, and bass and drums are on a track, and each of the guitars is on a track. White Light/White Heat is easily the least accessible of The Velvet UndergroundвЂ™s studio albums, but anyone wanting to hear their guitar-mauling tribal frenzy straight with no chaser will love it, and those benighted souls who think of the Velvets as some sort of folk-rock band are advised to crank their stereo up to ten and give side two a spin.As good as 1969 Velvet Underground Live is, itвЂ™s worth reiterating that none of the Matrix cuts are from the original four-track tapes, for which all the instruments and vocalists had a mic. The album opens with an open and enthusiastic endorsement of amphetamines (startling even from this group of noted drug enthusiasts), and side one continues with an amusing shaggy-dog story set to a slab of lurching mutant R&B (вЂњThe GiftвЂќ), a perverse variation on an old folktale (вЂњLady GodivaвЂ™s OperationвЂќ), and the albumвЂ™s sole вЂњprettyвЂќ song, the mildly disquieting вЂњHere She Comes Now.вЂќ While side one was a good bit darker in tone than the VelvetsвЂ™ first album, side two was where they truly threw down the gauntlet with the manic, free-jazz implosion of вЂњI Heard Her Call My NameвЂќ (featuring ReedвЂ™s guitar work at its most gloriously fractured), and the epic noise jam вЂњSister Ray,вЂќ 17 minutes of sex, drugs, violence, and other non-wholesome fun with the loudest rock group in the history of Western Civilization as the house band. Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive. The world of pop music was hardly ready for The Velvet UndergroundвЂ™s first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968вЂ™s White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety.

And that group is the classic-quartet lineup of The Velvet Underground вЂ“ singer-guitarist Lou Reed bassist-organist and viola player John Cale guitarist-bassist Sterling Morrison and drummer Maureen Tucker. Recorded in a matter of days at the end of the summer of 1967, a season in which everything seemed possible in rock and much of it happened at now-mythic speed, White Light/White Heat is an album that reeks of the gritty NY street life and could only have been made in New York, by one band. The Velvet UndergroundвЂ™s White Light/White Heat is one of the most confrontational and inspirational second albums ever made by a rock band.

VELVET UNDERGROUND RAR DOWNLOAD

Studio Masters, Official Digital Download вЂ“ Source: | Front cover |В В© Polydor

The Velvet Underground вЂ“ White Light / White Heat (1968/2013) ДЇLAC (tracks) 24 bit/96 kHz | Time вЂ“ 40:20 minutes | 937 MB | Genre: Rock

Velvet underground rar